Whirlwind, have we really gained control over time?"

Noomen's fascination lies in exploring the profound impact of technology on our lives. It invites us to contemplate how we perceive and interact with time in an age defined by digital innovation. 'To Be Continued' represents a significant turning point for Nineties, as it marks its first production without traditional actors. Instead, the spotlight is on music, projection and lighting design. This unique approach allows Nineties to explore the power of video, sound and set design as theatrical media. The result is an immersive time-travelling experience against a backdrop of music inspired by the world of interfaces, applications and preloaders.

As visitors navigate this captivating experience, images reshape their perception of time while animations immerse them in virtual reality. Video artist Noralie aptly describes the production as a kind of 'digital psychedelic Phone Number List  intake'. If you are curious and are in the Netherlands this week, don't miss the opportunity to immerse yourself in 'To Be Continued' at the 'Uncloud' Festival in Utrecht. It is a captivating exploration of our digital age and its profound impact on our perception of time. This experience will leave you questioning the boundaries of reality and imagination. Beech wood was intentionally chosen as the main material for the furniture and the interior elements, making a bold statement in favour of this robust and aesthetically pleasing.



Often overlooked – material in the furniture world. Olsson Lyckefors' new Merkurhuset office building is a testament to the possibilities that emerge when architects, clients and historical contexts converge. A contemporary addition to Gothenburg's architectural fabric, bridging the gap between the city's rich heritage and its ever-changing future. It is no coincidence that the studio received the Kasper Salin Prize for the project, the oldest and most prestigious architecture prize in Sweden.Rather than emphasising the mass and weight of the building, however, the entrance roof is distinguished by an intricate grid of beams that creates a play of light and shadow, defining the perimeters of the public event space below.